potta poti

Cricket and Cinema evokes passion and sentiments among Indians.. And if a movie is made on cricket laced with comedy, it would end up entertaining the masses. 'Potta Potti' is exactly one that combines all to leave a magic on the masses.Lagaan, Iqbal, Chennai 28 makes the point clear. ‘Cricket is part of the central plot in Potta Potti.The movie is set in a village in Theni where the place is controlled by two-Kodaivannan (R Sivam) and his cousin Kollaivannan (Umar). The former is an innocent but an idiotic youth. The latter is selfish and is loaded with ulterior motives. They fight to hold the hands of their uncle's daughter Parijatham (Harini). The village panchayat decides that both should play cricket and the winner would get Parijatham. Now begins the drama between both, who know nothing about the game. Coming to know that Ramesh (Sadgoppan Ramesh), a cricketer, is in town, one of the competitors kidnaps him and forces him to be the coach. But the twist in the tale is Ramesh and Parijatham fall in love. Finally the match is played. Who emerges the winner and who married Parijatham forms the climax

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final destination 4(tamil)

in a car race in McKinley Speedway, twenty-something Nick has a premonition of a deadly car crash with many casualties in the audience and convinces his girlfriend Lori and his friends Hunt and Janet to leave the place. They are followed by the security guard; a racist guy; a mother with her children and a mechanic, that are saved from death. When the racist guy and the mother die in mysterious and creepy incidents, Nick and Lori research and find many similar cases in Internet. They try to lure The Ripper to break the chain of deadly events and survive, but destiny does not help them.

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maveeran

Film: Maaveeran
Starring: Ram Charan,Kajal Aggarwal,Srihari Devgil аnԁ Others
Director: SS Raja Mouli
Producer: Allu Aravind
Banner: Geetha Arts
Music: Keeravani
glamour, grandeur… Thеѕе three ‘G’ words sum up ‘Maaveeran’ bу S S Rajamouli, thе man behind many hits іn Telugu industry. Hе hаѕ come up wіth a wonder іn ‘Maaveran’ (‘Magadheera’ іn Telugu). Mammoth sets, hυɡе star cast, racy script аnԁ ɡοοԁ υѕе οf computer graphics mаkе іt a stunning ѕhοw οn screen.
A blend οf contemporary аnԁ period events, ‘Maaveeran’ іѕ nοt thе regular commercial cliché уου wουƖԁ expect frοm thе ‘Telugu Desam’. Another highlight іѕ apt Tamil dialogues bу veteran filmmaker K Bhagyaraj.
Nowhere one gets a feeling οf watching a Telugu movie being dubbed іn Tamil аnԁ thіѕ mаkеѕ ‘Maaveeran’ work bіɡ time. Whаt more, іt hаѕ a universal theme thаt wουƖԁ bе liked bу kids аnԁ adults.
Hυɡе palace, herds οf horse, hundreds οf soldiers, bіɡ desert, helicopter chase. Rajamouli hаѕ brought аƖƖ thіѕ іntο reality іn thе film, thanks tο producer Allu Aravind οf Geetha Arts. Thе way thеу hаνе bееn captured οn lens bу Senthil Kumar deserves appreciation.
Going hand-іn-hand wіth thе ѕtοrу іѕ Maragadhamani’s musical score. It іѕ a combination οf racy аnԁ melodious numbers thаt lifts thе spirit οf thе movie. Costumes play a pivotal раrt іn period films.
Understanding thіѕ fully well, Rajamouli hаѕ ensured thаt apt attires аrе сrеаtеԁ fοr each аnԁ еνеrу character. Kamala Kannan’s visual effects add tο thе charm. Watch out fοr thе chase аnԁ stunt sequences thаt аrе close tο reality.
Coming tο thе star cast, young Ram Charan Teja, son οf ‘mega star’ Chiranjeevi hаѕ cast a magical spell playing thе title role, whіƖе thе young аnԁ bubbly Kajal Agarwal gives hіm ɡοοԁ company. Thе movie hаѕ many οthеr actors tοο wіth аƖƖ playing thеіr раrt exceedingly well.
Harsha (Ram Charan) іѕ a bike racer аnԁ іѕ behind thrills аnԁ spills іn hіѕ life. Life takes a turn whеn hе meets Indhu (Kajal Agarwal). Whеn hе touches hеr hands, a mystic feel prevails аnԁ hе feels destiny hаѕ brought thеm together.
Bυt enters Randheer (Dev Gill), Indhu’s cousin wіth аn evil desire. Attracted bу hеr beauty hе kіƖƖѕ hеr father аnԁ blame falls οn Harsha. Randheer takes away Indhu wіth hіm tο Rajagiri palace іn Rajasthan.
Now Harsha goes іn search οf hеr аnԁ embarks upon a mission tο set things rіɡht. Meanwhile іt іѕ revealed thаt thе events іn thе lives οf thеѕе persons hаνе connection wіth those thаt happened four hundred years ago. Whаt follows next, іѕ thе ѕtοrу οf ‘Maaveeran,’ a ѕtοrу thаt effectively juggles between thе past аnԁ present, keeping audience glued tο thе screens.
Ram Charan іѕ extraordinary аѕ Harsha аnԁ Parthiban, hе іѕ impressive. Hіѕ аmаᴢіnɡ body language, dialogue delivery аnԁ hіѕ expressive eyes аrе a treat tο watch. A blend οf beauty аnԁ glamour, Kajal Agarwal іѕ apt сhοісе. Shе іѕ сοοƖ аnԁ casual іn trendy costumes аѕ well.
Dev Gill аѕ baddie іѕ tailor-mаԁе fοr thе role. Hе deserves appreciation fοr thе character. Sri Hari’s cameo іn double role lends twist tο thе tаƖе. Watch out fοr special performance bу Sunil аnԁ Brahmanandham thаt evokes ɡοοԁ humour.
Three cheers tο Geetha Arts fοr mаkіnɡ such a mammoth movie. Thеу hаνе rendered a grand film thаt іѕ entertaining аnԁ enthralling аnԁ one thаt sure deserves applause.
‘Maaveeran’ οn thе whole lives up tο thе title.

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karungali

For a bold attempt and a rare story to be made in Tamil, ‘Karungaali’ could have been a successful film if the makers had given it a due care in the screenplay, characterization and plausible reasons for the incidents and happenings.
The film is made as another good attempt that is joining the infamous league of poorly knitted screenplay.
The film opens with ‘Pottalam’ Ravi (M Kalanjiyam), while he is on the run from police, saving the life of Kanimozhi (Sunita Varma), a doctor. The doctor comes to know about the story (flash back) of Ravi and marries him after he comes out of the jail.
And the flash back is…
‘Pottalam’ Ravi, an orphan, along with Chengi, a girl, and other wanderers are being brought up by an old man, who teaches the ‘policy’ of life ‘Do all bad acts but never beg’. The gang joins ‘Dada’ Rajesh and indulges in all criminal acts. Ravi becomes the ‘Dada’ in the place of Rajesh when he kills his boss. Chengi, who insists Ravi to marry her, gets killed by Ravi when she becomes pregnant. Ravi becomes the incorrigible criminal, womanizer and a pervert, so much so to the extent that he copulates with a dead body of a girl.
The flash back ends and the present opens with Amudha Nila (Anjali) marrying her childhood sweetheart Gunasekaran (Seenu). The marriage life goes all well till they find that the couple will not be able to give birth to a child. The couple approaches doctor Kanimozhi for their problem, and this forms many pretexts for Ravi, who is the husband of the doctor, to cross into the troubled marriage of Amudha Nila and Gunasekaran.
Ravi makes his advances towards Amudha Nila to make her yield to his desires. The climax ends with questions whether Amudha succumbs to Ravi, what happens in the life of Kanimozhi and finally what Ravi is upto…
Kalanjiyam could have tasked his associates and assistants to help him in his histrionics. Sometimes his acting irritates with overacting and sometimes he disheartens with his numbness.
Anjali is the only consolation in the film. It was learnt that the actress accepted this role when she was all naïve in films. She had chosen the right character, but not the right script. She is grown up and can understand cinema now. Anyway, she can be appreciated for her emotions and expressions in the film. She did have put her efforts and it has clicked for this upcoming actress.
Sunita varma and Seenu would have fallen into the category of performers if the director had given a good shape to their characters. The characters fail and do the actors.Mu Kalanjiyam makes another bold attempt with his character and story. But the loosely tied screenplay and the unfitting shapes of characters fail to support the story. Kalanjiyam, the writer and director, who delivered good scripts in ‘Poomani’, ‘Kizhakkum Merkkum’, ‘Poonthottam’, ‘Nilave Mugam Kattu’ and ‘Mitta Miraasu’ fails here in ‘Karungaali’.
Srikanth Deva’s music and songs are so, so… Cinematography does impress us. Good work Sivasundar! G. Vivekanandhan, the producer, must be appreciated for bringing out such a bold attempt, a big risk indeed!
Sri Gurujothi’s ‘Karungaali’ does have entertaining factors with bold theme and scenes to make the audience sit through the entire film.
A watchable film!

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daivath thirumagal

DeivaThirumagal , which marks the blend of Vikram and director Vijay, is said to be a film that's ardently moving and enjoyable at the same time. The actor , who is known for rendering different characters on screens, gets another fascinating role. Bid adieu to those movies where hero bashing goons. Movie started to tell stories from real life experiences. Deivathirumagal undeniably make people aware of new innovative ideas to come up with and bought in front of the silver screen.

Story line

Shedding light on the movie , the plot moves around a father and his daughter. Vikram who plays the role of Krishna in the movie is a mentally challenged man. He is having a mental growth of five year old boy who works in a chocolate factory in Ooty. His wife passed away and he is taking care of his daughter Sara.

One day the father and Daughter is detached, when his father in law take away his daughter from him. There the story takes it point. Amala Paul plays the role of Vikram’s sister in law who takes care of Sara after she had been separated from his father. Vikram now is in search for his daughter. Audience are able to see entirely different Anushka on screen. Playing the role of a lawyer Anushka comes as a helping hand for Vikram to get back the custody of his daughter through court. Santhanam comes as the junior to Anushka in the movie. The movie moves on with legal battles and arguments in the court.

Star Performance

Krishna will bring applause in the career of Chiyaan Vikram, another feather cap in Vikram’s head. He holds the scene by evoking fun. Hardly there will be scenes where we will not turn our face from Krishna. He is there as a five year old boy from the beginning till the end of the movie. Young Sarah will create vibrations. Her onscreen chemistry with Vikram has been amazing. She will drive audience to the theatres. Anushka in a completely different role adds beauty to the movie . She is the tailored role for being an Advocate in the Movie . Her appearance and character traits will make people grasp that Anushka can wear any Character. Her performance is remarkable.

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rowthiram

Fresh after the success of Ko, Jiiva makes his appearance in Rowthiram, his home production, under the direction of newcomer Gokul, in which he essays the role of a young man who does not keep mum to the injustices around him and fights for the aggrieved souls. It is a first time combination for Jiiva and Shriya and the team certainly looks fresh and good.

True to the title of the film, Rowthiram deals with the anger of the protagonist, its upshot on his family and its cascading effect.

For a debut director, Gokul shows promise. He attempts to pack in his first film, romance and a lot of action and succeeds fairly. He shows mettle in the scenes that build up suspense when Jiiva gropes in the dark on the whereabouts of his family and also in the ironical climax. He is successful in building up the curiosity to know about the identity of Gowri. The scene where the gang moves to throw acid on Jiiva is well conceptualized and suggests the substance in Gokul. The dialogues between the gangsters are quite natural. Gokul also makes a noticeable cameo and it is a pity that his role is very small.

Some scenes are neatly done especially the family and the romance blocks. However, these are not sufficient to buoy the story up as there is inconsistency in the pace. While the first half fairly manages to hold the attention, Gokul stutters to keep the audience hooked in the second half and his struggle to move the film forward becomes evident. The long action sequences also exhausts. The snag for Rowthiram comes from its lengthiness.

It is a cakewalk for Jiiva who has delivered his role with understanding and subtlety. He shows the anguish through eyes in the sequence where his family leaves him without information. His agility in the action sequences are a plus to the film.

Shriya provides the color and warmth to this otherwise ‘manly’ and ‘hot’ film and surprisingly keeps her glamour in check in most places. Prakash Raj does a small cameo and in the supporting cast, it is Jaiprakash who walks away with the acting honors with his natural and nuanced portrayal. Ganesh Acharya as the gangster has not much to do but to jive to the ‘Goli Maaro’ number.

On the technical side, it is stunt master Anal Arasu who has much work with the film being action-centric. His stunt choreography would be spoken about but the slow motion shots in most of the action scenes act as a downer. Costumes and accessories by Deepali Noor especially for Shriya are refreshing and relatable. Cinematographer Shanmugasundaram is adequate in his responsibility.

There is no lasting effect in the music of Prakash Nikky. The songs are well picturized and choreographed although a couple of them do not justify their presence for instance Goli Maaro Gangster and Malai Mangum Neram.

Rowthiram has positives going in its favor. If the screen play had been more linear and taut, it would have made a huge impact.

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sindu samaveli

Sindhu samaveli is a controversial movie directed by controversial director Samy who has successfully directed few films like Uyir and Mirugam which were more controversial.Even this movie has got some abstract n complicated stuff such as relationship between Father in law and daughter in law which is not socially accepted.This movie says even a good man can change into evil in some situations.
The movie starts with an awesome natural landscape sequence and also a village.The Hero Anbu(Harish) lives in a village with his Mother who is a teacher and his father who rarely comes home being an army man.Anbu was fully brought up by his mother,he is a studious guy with good characters.His father takes a voluntary retirement after a war and comes back home.Then they lead a happy life and a set of sequence showing happy family passes on.Anbu has got a girlfriend in his school named Sundhari(Amala paul).One day Anbu's mother expires.His Father Veerasamy who loved her a lot missed her a lot.The son gets married so that his wife can take care of his father when he is away for His studies who has only completed 19.So Veerasamy and Sundari stay alone at home.Though he is a good person becomes a slave of lust.Some situations with his Daughter in law stimulated him to have a physical relationship with her.At one stage he forced her and had sex with her.Later he feels guilty about what he had done.He says that he is sorry and asks her to confess to his son about what happened,But they never told him.
At a point,even she feels the same as her Father in law.Then they had Sexual relationship frequently.At a point she forgets Anbu and gets closer with her father in law.One day Anbu comes home for a holiday.He felt their behaviour was very weired and he gets suspicious about them.what happens next lies in the rest of the film.
CAST:
Harish was a good looking guy all over the movie,Being a fresher,his performance was really appreciable.He has a good future in Tamil Movie.Amala paul must be surely appreciated for taking such a complicated role,her performance was good and She was apt for this role.Ghajini who did father in law role is a really good performer.His perfomance was good in both the shades as a good father and a bad Father in law.Ganja karuppu was not up to the mark,His comedy did not work out well in this movie

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